impressions

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This series decouples the photograph from the traditional convention of being framed safely behind glass. Instead, glass becomes an intrinsic, structural component of the artwork itself—functioning as a low relief that carves into space. This physical integration brings an uncanny dimensionality to the imagery while laying bare the industrial mechanics of its creation. By intentionally merging the methodologies of photography, printmaking, sculpture, and digital fabrication, these hybrid pieces reject static viewing. They create intimate, shifting encounters that demand physical movement and time from the viewer to be fully understood.